HBO Max 's catalog not being as extensive as what Plans: Ad-Supported ($10/month), Ad-Free ($15/month).Highlights: "The White Lotus," "Legendary," "The Times of Harvey Milk".HBO Max is home to a versatile library of queer titles, ranging from documentaries to prestige television.
Below, we rounded up some of the best LGBTQ movies and TV shows you can stream on Netflix right now: You can easily find LGBTQ content on Netflix by searching for "LGBTQ" in the Netflix app. Johnson," "Disclosure," and "Super Deluxe." Netflix also gives you access to movies featuring transgender stories like "The Death and Life of Martha P. The movies include plenty of gore and revolve around a lesbian romance.
The service has a particularly great selection of original titles with many exclusive films and series that feature queer themes and characters, including "Sense 8" and "Orange Is the New Black." Horror fans can also tune into the new "Fear Street" trilogy. Netflix 's array of LGBTQ-related options includes everything from lighthearted sitcoms like "Schitt's Creek" to Oscar-winning movies like the "The Danish Girl." Streaming services for LGBTQ entertainment. Plans: Basic ($9/month), Standard ($14/month), Premium ($18/month)įeaturing a vast catalog of movies and TV shows to satisfy all tastes, Netflix is easily one of the best.Highlights: "Fear Street," "Schitt's Creek," "The Death and Life of Martha P.We’re getting the same rather than getting better.Netflix features a large selection of LGBTQ titles, including several original shows and movies.
But these are small wins.īecause what Single All the Way ultimately does best is show us that a gay Christmas movie can be just as hackneyed as a straight one. It’s also refreshing to see a gay film where coming out isn’t the thrust of the conflict and where family members are all automatically accepting, a normal for many queer people that is rarely shown on screen.
Queer characters are usually associated with city life and so seeing a gay man tempted by the allure of a quieter, family first future is at the very least somewhat unconventional on film. The sexuality and gender of the protagonist shifts what can often be a rather sexist festive movie trope, of the single hard-working cosmopolitan woman ultimately deciding that living in a small town baking cookies for a man is the better life, into something more progressive. It’s pure mass market Christmas cookie cutter stuff that’s only made vaguely interesting in very short bursts because of its queerness. What should have been a scene-stealing turn from drunk aunt Jennifer Coolidge, fresh off receiving her finest reviews to date for The White Lotus, is also disappointingly ineffective with Chad Hodge’s script failing to give her any real zingers and so she’s stuck in lazy reheat mode, an outsized distraction more than anything. Chambers is very charming, with a confidence that’s belies his inexperience, but Urie is stuck in wide-eyed sitcom mode, overemphasising every little moment and never softening into anything resembling a real person in his intimate moments with his competing love interests. Perhaps a different duo might have helped in that regard because the lived-in chemistry these two need to convince us is nowhere to be found which makes the pair hard to buy as best friends and impossible to believe as a couple. Michael Mayer, a Tony award-winning theatre director, has made a competent background watch that does what it needs to do without really trying to do anything else, passable on a base-level but lacking a certain spark. The overwhelming conventionality of Single All the Way is kind of the point here, a comforting film-by-numbers designed to soothe rather than surprise. But as the two start dating, the family becomes focused on trying to make a real relationship happen between Peter and Nick. He concocts a lie, that he and Nick are now in a relationship, but the facade soon drops when his mother (Kathy Najimy) sets him up with a handsome local trainer (Luke Macfarlane) instead. Peter is devastated but determined not to be the only single person at the table so he brings Nick back with him. But Peter’s best friend Nick (newcomer Philemon Chambers) discovers that his new man has been lying to him, forgetting to share the tiny detail of his heterosexual marriage. Peter (Ugly Betty’s Michael Urie) is preparing to enjoy his first Christmas with a boyfriend, who has unexpectedly agreed to join him back in New Hampshire to see family.